Fleda, with a bright face, hesitated a moment. "As if I were one of those bad women in a play?" CHAPTER VIII!

"Well, then, that's all right," said Mrs. Gereth as if she had only wanted to feel that she had been irreproachably considerate. After this she was gentler still, but she had another point to clear up. "Why have you given, for a reply, your sister's address?" "Ah, really?" cried Fleda, achieving a radiance of which she was secretly proud. "How very exciting!"

"He speaks to me of the only thing that concerns me. He gives me clear notice that he abates not one jot of his demand." Mrs. Gereth met fully what this conveyed; with decision she pushed in the telegram. But she laid her hand quickly upon another form and with still greater decision wrote another message. "From me, this," she said to Fleda when she had finished: "to catch him possibly at Poynton. Will you read it?" Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"